It’s amazing to think of my journey from first reading books to writing my own. Before I worked on editing my novel’s chapter six of draft four, I finished reading, Wool, by Hugh Howey, the best Sci-Fi since, Ender’s Game, the Sci-Fi that showed I could enjoy a young adult hero, and which shocked me to find that it was over. Somehow I was so enthralled with Ender’s story that I didn’t realize I was on the last pages until that last page appeared. That was my first Sci-Fi, and from there I consumed the nine Dune Prequels. As a slow reader, looking at those books on my friend’s shelf, I thought I’d never read them all. The love for Sci-Fi, and Space Opera in particular, which those books created, inspired me to write my second novel—the current 4th draft—and if all goes as planned, a publishable book which will start my own Space Opera series.

Before that was a book called, Temple, by Matthew Reilly, a story about relic hunting in South American rainforests, and which showed me how an action novel could make me burn through the pages… unlike Tad Williams’ Otherland, which was also required reading in my semester studying at the University of the Sunshine Coast. Otherland had a great virtual reality world, but too much real life setting that I didn’t care as much about mixed in and not enough happening. I never finished that one, but the virtual reality idea found its way into my current novel—one which I hope is more like Temple in its action pace.

Before that was a strange, Fantasy book called, Dragonlance Chronicles: Dragons of Autumn Twilight, by Tracy Hickman and Margaret Weis. I was twelve when I discovered that book. An older friend was reading it while on vacation at his parent’s house, and in my downtime I picked it up. I remember fighting him for reading time, and made my mom buy my own copy as soon as we could find it. I’d never read a Fantasy book before, and this was a real eye-opener to the amazing world and characters that one can find in that genre. I was a Fantasy-only reader for ten years after that, and I’m sure took that interest as inspiration to write my first novel, a Fantasy about magic scepters that has since been trunked.

Before that was the first novel I ever finished, The Shining, by Stephen King. The fact that I could finish an adult book like that is probably what gave me the confidence to read more fiction novels like Dragonlance. Sure, I knew I could read, but that was for school. I wanted to play sports and video games. Finishing, The Shining, and the thrill of the story showed me the worth of fiction novels.

Before that were the R.L. Stine Goosebumps series, which I collected up into the twenties from like 2nd-4th grade. Those are the beginning of my interest in Horror, and no doubt inspired me to write my current zombie series, along with a few other monster stories.

I won’t go all the way be to the picture book, Where the Wild Things Are, or that one about the Hungry Caterpillar, (… maybe I just did…), but lastly I want to point out the Choose Your Own Adventure books. I believe it is through those books, and the thrill I felt being in the story’s driver seat that ultimately created a desire to make my own stories. As you can see, through that series of books, I enjoyed quite a journey, and Lord willing, have many years left to read, write and see my own stories in reader’s hands. It’s so cool to think of putting a book out there that might fit into a similar timeline for a future author or reader.

 

 

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Tim Ward is a fantasy, science fiction, and horror writer from Des Moines, IA. He is, as yet unpublished, but is taking his time to put my stuff out there, waiting until it is really good. He is a member of Team PYP, a mentorship program for Port Yonder Press, where there are top notch editors, publishers, and writers critiquing his work. He also hosts a podcast, AudioTim, for interviewing authors, publishers, etc.

You can learn more about Tim at: http://timothycward.com/.

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17
May

Mik Murdoch, Boy Superhero ARCs now Available

   Posted by: Michell   in Irreverent Muse

Exciting news (for me anyway)! I received word yesterday that Advanced Reader Copies (in PDF) of Mik Murdoch, Boy Superhero are now available. If you would be willing to do a review of the book, we would be happy to send you one.

To get involved, please email  5 Rivers Chapmanry and let them know. (ARC at 5rivers dot org)

I would dearly love to have your help spreading the word, so please don’t hesitate if you are interested.

Thank you.

-Michell

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16
May

What are you trying to say with your writing?

   Posted by: Michell   in About Writing

I don’t make a habit of trying to be controversial in my writing. I have stories I want to tell and I do that to the best of my ability. It wasn’t until a friend of mine pointed out that my stories tend to have some common themes that I was even aware of them.

Now, before you ask me what the common themes are, I will tell you right now, I’m not saying. If you want to figure it out, there are ways to do it. But, for the record, this post isn’t about me for a change. Yes, I will still talk about myself. It IS my post, after all, but that still isn’t the point. ;)

So let me begin by saying, even before I knew what my inner voice and theme was, I tried to write something “commercial”. I tried to write in a genre I loved with all the typical tropes.

Hardest thing I’ve ever done (writing wise, anyway).

I think the difficulty came from writing outside my own head. I know, that sounds odd, but hear me out. I was essentially writing for someone other than myself. I wasn’t trying to come up with something that I liked. Now that I know what I tried to do I see the foolishness of the exercise. I mean, it’s hard enough to know what the potential audience you have will like. If you’re not writing for the one person you truly know, you are doomed. (Okay, my flair for the dramatic cut me up there for a moment. Doomed IS pretty strong. How about, “Fighting an uphill battle”?)

So, let’s just say for the sake of argument that you are a writer who believes in strong female characters. You also intrinsically believe that women can do anything they set their hearts to. Do you think you might write some very strong female characters who are able to overcome incredible odds to win the day? I know several authors who display those beliefs in most of their stories (and I whole-heartedly agree and approve, just for the record – no that’s not a hint about common themes in my writing either).

Does that mean that those writers can ONLY write stories with strong female leads? Not at all. In fact, most of the authors I’m thinking of wrote several stories that had strong leads that were male and “other”. It’s just that, if you really look, you will see that they also don’t tend to have weak female characters unless there is a damn good reason to.

So, what am I trying to say to you with this post? Well, in its simplest terms, you the writer need to understand yourself. What is important enough to you that it leeches out into your work without effort? Once you understand that, you have power over your writing because you can see it coming out and you can plan around it and craft work that is truly outstanding.

For example, John Scalzi (disclaimer: whose work I love) writes with a strong social commentary in his essays, blog posts and fiction. He knows it and uses that voice and passion to put out some very thought-provoking work. Does everyone love his work? I daresay not, but the point of writing is not to please everyone. It is his understanding of himself and his own voice that allows him to do what he does.

So, my challenge to you is to think about your writing and what you are instinctively trying to say. Does your work reflect it everywhere? Is it easier writing to that internal vision or harder?

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